Skandhas and the Lotus
The word we sometimes use in English interchangeably with
"person" is "individual" that carries the idea of "not
divisible." But the Sanskrit term pudgala that is used by Jains
and by Buddhists which confers that same "person" meaning
actually connotes a temporary entity that is prone to separation
into parts and then, to assimilation. It is not one whole that
is a solid, indivisible entity. Instead the person is viewed as
made up of five different aspects called the 5 Skandhas or Five
Aggregates. These are not physical components, but rather an
agglomeration or coming together of subliminal inclinations or
tendencies.
Suffering and the Skandhas
"Everything is suffering [Skt. dukkha, pron. dook-ha]" is the
1st 'Noble' Truth (aryasatya) Noble> arya which here means
supreme, ultimate.)
Suffering = un-satisfactoriness, not OK, and much of that has to
do with the impermanent nature of phenomena [things, events and
states] due in part to the fact they are composed of temporary
assemblages or skandhas.
Impermanence
Existence is suffering primarily because, by its very nature, it
is impermanent. That is, people, animals, things, circumstances
("life-style") and all the components that go to make them up -
good health - are transitory. Often the word chosen to translate
dukkha is 'unsatisfactoriness'.
Though they say in French, "Plus ça change, plus ç' est la mème
chose" [The more things change, the more they remain the same]
that sameness is never permanent but always changing, uncertain,
often risky and creating of stress].
The doctrine of why and how this is appears in the MahaNidana
Sutta or The Great Causation Sutra. The link is to Access to
Insight that posts Theravada scriptures.
The Buddhist view is that every individual is an entity composed
of five categories of phenomena or qualities that may be thought
of as aggregates, skandhas in Sanskrit; sometimes translated as
heaps or accumulations.
The Five Skandhas, also called Formations are:
- form (rupa)
- apperception or sensibility
- perception
- volition, will
- consciousness
1. Form is composed of matter made up of four
elements: earth, water, fire, wind.
2. Apperception or sensibility is derived from the
sense organs:
- eye enables sight
- ear enables sound
- nose enables odor
- tongue enables taste
- "body" enables touch
- mind enables the experiences of the five organs above, but
also of its own objects called, like the word for the
Teachings, dharma s ('facts').
This set of pairs, ie. organ + function, is known as the
Twelve (12) Bases of Consciousness.
3. Perception is a product of the six externals above:
sight, sound, etc. It is the individual's processing of the 12
bases to 'feel' the environment. [This skandha is sometimes
referred to as 'feeling' though that word could be used in an
vague way for any of the skandhas from 2 through 4.]
4. Volition [samskara] is the reaction of the will to the
objects and may produce aversion, attraction, etc. In other
words, the feeling as basis for emotion.
5. Consciousness [vijnana] grasps the qualities of the
six objects. It creates a third member of the sets in 2 above.
These are designated Visual consciousness, Auditory
consciousness, and so on, ending with Mental consciousness. The
eighteen now, are called the Eighteen (18) Elements [dhatu].
These five aggregates or formations, the skandas, are not
ultimate and eternal in nature but are conditioned. They arise
from causes and circumstances. Like all phenomena, they come and
go; endure and change and disappear.
Since we are composed of these, we are impermanent. There is no
part of us that is eternal. We cannot logically say, "That is
mine; I am that; that is my Self"
A root text (Pali version in translation) is "Assumptions" or
Samanupassana Sutta (Samyutta Nikaya XXII.47)
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The skandhas in the day-to-day context explained by a lama of
the Gelugpa tradition.
BBW [kagyu.email list] describes the skandhas using slightly
different terminology:
1. Form -- the physical aspect
2. Perception -- the first non-physical layer, the bare,
non-complex image, sound, etc.
3. Feeling -- how [what?] we feel, i.e., good, bad, ugly,
indifference, etc.
4. Formation -- conceptual composite formation of what gets
filtered through feeling and perception, when coming in; or,
when going out. Also described as the thoughts or intentions of
carrying out [or implementing] an action.
5. Consciousness -- thoughts and deeper levels of the mind.
Feeling is simply good, bad, and neutral -- from one's own
self-centered angle, of course. It is like a filter that alters
one's perception of the external world of "form."
In Gateway to Knowledge (Hong Kong: Rangjung Yeshe, 1997) Jamgon
Mipham Rinpoche used the word, sensation, which is another way
to translate the Sanskrit word for feeling, as follows:
"Sensations are defined as impressions. The aggregate of
sensations can be divided into three: pleasant, painful, and
neutral. Alternately, there are five: pleasure and mental
pleasure, pain and mental pain, and neutral sensation."
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So the 2nd skandha could be called apperception, sensation or
feeling.
And the 3rd could also be called feeling but in the sense of a
qualitative or basis-for-emotion reaction.
The Buddhist analysis is impressive when we consider that it is
only with the rise of physiological psychology in the late 19th
century that we in the West generally began to examine the
nature of our reactions to stimuli and the way we interpret
experience.
From the Buddhist perspective, though we may and do speak of
rebirth, there is no eternal essence, soul or Self that is
considered to incarnate.
Called form, feeling, perception, formation and consciousness,
they are labeled the Five Aggregates because in turn they too
are not solid indivisible whole entities and are made up of even
smaller parts. The break-down [can go] on and on, until there is
not even a single particle which one can call a Self. They only
come together as an "aggregate" due to causes and conditions.
Since it does not have an unchanging self and is impermanent
(i.e., when the causes and conditions are gone, so is it;) it is
EMPTY..
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